Collectors will be interested in the first five songs, which date from previously unreleased sessions produced by John Hammond in late and early Featuring Charlie Musselwhite on harmonica, this pre- Butterfield Blues Band outfit plays convincingly, but the material is standard-issue, and Bloomfield 's vocals are thin and weak they didn't improve much over time.
Enjoy this album on Qobuz apps with your subscription Subscribe. Enjoy this album on Qobuz apps with your subscription Listen on Qobuz. Your browser does not support the audio element. Copy the following link to share it Copy. You are currently listening to samples. If You See My Baby. Mike Bloomfield. For Anyone You Meet.
Good Old Guy. Far Too Many Nights. Pop 90s. Pop 80s. French Pop. French Rock. Johnny Hallyday. Traditional Music. Pays Basque. Others French. European Grooves.
Other Countries. Soul 80s. Italo Disco. Acid jazz. Groove Revival. Jazz Classic. Cool Jazz. Modern Jazz. Jazz fusion.
Vocal jazz. Spiritual jazz. Free Jazz. Others Jazz. US Rap. Old School Rap. West coast Rap. East coast Rap. During this time, he began playing in local bands, and Bloomfield put together a group called the Hurricanes, named after Ohio rock band Johnny and the Hurricanes. New Trier High School expelled Bloomfield after his band performed a raucous rock and roll song at a school gathering.
Bloomfield had attended a Chicago performance by blues singer Josh White , and began spending time in Chicago's South Side blues clubs and playing guitar with such black bluesmen as Sleepy John Estes , Yank Rachell , and Little Brother Montgomery. He first sat in with a black blues band in , when he performed with Luther "Guitar Junior" Johnson at a Chicago club called the Place.
He performed with Howlin' Wolf , Muddy Waters , and many other Chicago blues performers during the early s. In he married Susan Smith. Writing in , keyboardist, songwriter and record producer Al Kooper said Bloomfield's talent "was instantly obvious to his mentors. They knew this was not just another white boy; this was someone who truly understood what the blues were all about.
Black people suffer externally in this country. Jewish people suffer internally. The suffering's the mutual fulcrum for the blues. He developed a friendship with blues singer Big Joe Williams. With help from his friend Joel Harlib, a Chicago photographer who became Bloomfield's de facto manager, he became a Columbia Records recording artist.
In early Harlib took an audition tape by Bloomfield to Columbia producer and talent scout John Hammond , who signed him to Columbia's Epic Records label. Bloomfield recorded a few sessions for Columbia in that remained unreleased until after his death.
Elektra Records producer Paul Rothchild recorded the band in spring , but the majority of the tracks were not released until the s. However, one of the tracks Rothchild recorded during his first pass at producing the group, a Nick Gravenites song titled "Born in Chicago," was included on the Elektra album Folksong '65 , which sold two hundred thousand copies when it was released in September The club was bankrolled by future Dylan and Butterfield manager Albert Grossman , who would play a major part in Bloomfield's career.
Bloomfield demurred, preferring to continue playing with the Butterfield Band. During the first part of , the band played in California, and they recorded their second album, East-West , that summer. The record's title track found the band exploring modal music, and it was based upon a song Gravenites and Bloomfield had been playing since , "It's About Time. Bloomfield played on recording sessions between and He became a mentor and teacher for many guitarists in the area.
Bloomfield tired of the Butterfield Band's rigorous touring schedule and, relocating to San Francisco, sought to create his own group. He formed the short-lived Electric Flag in ,  with two longtime Chicago collaborators, Barry Goldberg and vocalist Nick Gravenites. The band featured a horn section. Generally speaking, the blues guitarist's finest moments are found on the universally praised first two discs with Paul Butterfield , the Electric Flag 's A Long Time Comin' album, and the sporadic glimpses of greatness on his solo records.
The main problem with this album is its lack of a powerful vocalist who could equally tackle blues, soul, and country. Singing was not one of the legendary guitarist's strengths, and he definitely wasn't capable of carrying that load over an entire record. It's especially odd considering the presence of blues belter Nick Gravenites singing backup on this session, not to mention additional vocals by the Ace of Cups and Diane Tribuno.