Treat Me Like An Animal - Dead Nation - Dead End (CD, Album)

That possibility guided our decisions when we chose 50 of those albums to get a little extra attention, in the form of a paragraph written by a critic who'd picked it. Instead of focusing on the records with the most votes, we looked for the ones that didn't seem to have gotten enough attention on other lists.

We also wanted to represent at least some of the dizzying breadth of Chicago music. Whether an album listed here tied for 44th place or came in fourth, it's important and worth your time. You might not agree with the rankings or even the picks, but we hope you'll listen with an open mind.

Click here to see the individual ballots compiled for this list. Twenty-six-way tie, one point each. Saxophonist Dave Rempis is a vital part of the improvised-music community in Chicago and beyond, not just for his playing but also for his networking and programming, and he's in so many great groups that it's a fool's errand to choose just one.

But I'm a sucker for bands with two drummers, and when those drummers are Tim Daisy and Frank Rosaly—two of the best going—well, that's game, set, and match. This burly, long-running ensemble is equally exhilarating whether creating engrossing textural explorations or dense, muscular grooves, and Rempis likewise excels wherever he ventures: thoughtful melodies, driving ostinatos, explosive abstract flights.

Philip Montoro. Thirty-two-way tie, two points each. When I first heard Willis Earl Beal, it seemed like his disarmingly shambolic acoustic lullabies could articulate every complicated emotion I was having but couldn't name, then broadcast them back to me.

The Chicago native recorded Acousmatic Sorcery on a RadioShack karaoke machine using cheap or scavenged instruments, and even his most fragile song felt like it could break open the earth.

Beal's evolution continues to produce music that expresses bittersweet yearning with rare and idiosyncratic power, but I'll always cherish his debut. Leor Galil. Chicago is well-known for forward-thinking metal, but few albums capture the city's s vibe like the second full-length from blackened sludge crew Lord Mantis.

Locrian and Pelican coursed between beauty and despair; Yakuza and Gigan spun heady, psych-addled trips; Oozing Wound and Bongripper, well, ripped. But meanwhile, Lord Mantis stewed in misanthropy, nihilism, and back-alley grime. Produced by Sanford Parker , Pervertor isn't for the faint of heart: it's uncompromisingly bleak and demands a visceral response.

The band have gone through multiple transformations since , among them suffering the loss of founding drummer Bill Bumgardner in , yet they've persevered—and Pervertor remains one of Chicago's most ferocious musical exports. The Numero Group had already offered a rough idea of what its Cult Cargo series was about with compilations sourcing material from Belize and the Bahamas, but 's Salsa Boricua de Chicago flipped the concept of "American music reinterpreted by people in the Caribbean" on its head—it features artists of the underserved Cuban, Mexican, and Puerto Rican diasporas in Chicago.

Lock in and let the funk out. Before Shaquon Thomas introduced himself to the Chicago hip-hop scene as Young Pappy, the stories told through drill music were set almost exclusively on the south and west sides of the city.

In Pappy released the mixtape 2 Cups: Part 2 of Everything —the second installment of a series named after his slain friend Mensa "2 Cups" Kifle—and definitively expanded the geography of drill to the north side, Uptown in particular.

Pappy had some success with his music while alive, but 2 Cups: Part 2 of Everything hosted by DJ Legacy has earned him mostly posthumous fame—he was murdered at age 20 in May , just weeks after its release. The lead single, "Killa," has become part of the drill canon, and Pappy's lyrics throughout the mixtape use graphic accounts of aggression and passion to paint a nightmarish picture that testifies to his artistry.

Twenty-six-way tie, three points each. She was introduced to Chicago in as "that girl toting the pistol in Shady's 'Go In' video," but by the time she'd dropped her first project, Bandz and Hittaz , Katie —or Katiiiieeee , as her signature ad-lib went—had become the de facto queen of drill. The project, produced entirely by her cousin BlockOnDaTrack, has never gotten its due as one of the era's best releases, but tough, minimalist bangers such as "I Need a Hitta" and "Ridin' Round and We Drillin" epitomize the spirit of golden-era drill.

I'll never forget the night at some bougie Pirate Bay-sponsored party at Lumen when the DJ dropped "Hitta" no less than three times in an hour. In the spirit of albums by predecessors such as John Zorn and Marc Ribot, Dustin Laurenzi's Snaketime cleverly expands the jazz palette by exploring a forerunner who stood sideways to the canon. In this case, the forerunner is Viking-helmed, Bach-influenced Beat street musician Moondog, whose strong sense of melody and deft use of counterpoint and minimalist repetition provide a vivid, pleasing structure within which Laurenzi's octet can interweave hummable tunes and brawling skronk.

It's avant-garde jazz at its most accessible or mainstream jazz at its most avant-garde, depending on how you want to hear it. Either way, it's a joy—and evidence of the talent and genius to be found in the Chicago jazz scene's nooks and crannies. Twenty-nine-way tie, four points each. Chambers is the debut of Spektral Quartet , a Grammy-nominated string ensemble that often operates in the classical realm and just as often redefines it.

The album is an entirely Chicago affair, released on Parlour Tapes a local cassette-focused label dedicated to contemporary art music and featuring works by six local composers—which Spektral Quartet attacks with Windy City grit and passion.

On the LJ White piece Zin Zin Zin Zin credited to Liza White and inspired by Mos Def's wordless freestyling on the Roots song "Double Trouble" the musicians get about as percussive as possible while mostly bowing their strings—you can hear them strike their instruments while making sonic booms of downstrokes.

Twenty-eight-way tie, five points each. DJ Taye's Still Trippin' is a consummate turn in progressive footwork. As frenetic as footwork can be, Still Trippin' is framed by the meditative, wordless introductory track "," which immediately dissolves the listener in the recesses of the artist's mind. The rest of the album unfurls in surprising leaps from one aesthetic to another, and nothing is misspent—the young virtuoso forges ahead to somewhere new, his world a kaleidoscopic milieu. Tara C.

Three-way tie, 5. Nicholas Szczepanik now Nicholas Burrage began releasing sublime drone pieces late in the aughts, just as I discovered the joys of solo walks, and they remain my favorite companions for ten-mile rambles through Chicago's neighborhoods. The best of those albums, 's Please Stop Loving Me , begins with a bottomless current of churchy organlike chords that seems to come from just out of view, swelling through slowly shifting musical shapes as if from within a bank of clouds.

Eventually, Szczepanik resolves the drone into a massive final chord that feels like finding the peace of home after a long journey—it's a sanctifying balm to those of us dedicated to spending time alone, whether by choice or not. Over the course of the past decade, Natalie Chami, who records and performs as TALsounds, has mastered the art of making her totally improvised music—loops of billowing, burbling synths topped by the breathy arias of her vocals—sound as melodious and cogently narrative as a meticulously produced pop song.

Her standout release, Love Sick , is as challenging and rewarding as anything by Bjork or FKA Twigs, with the same internal drama as an all-consuming love affair—and the same splendid highs and lows. A Muse in Her Feelings. Fetch the Bolt Cutters. All My Heroes Are Dead. Don't Waste Your Anger. Art rock , folk , freak folk. Live from Clear Channel Stripped Eleven , EMI Australia.

Garcia Live Volume Good Souls Better Angels. What the Dead Men Say. Making a Door Less Open. Dark Lane Demo Tapes. OVO Sound , Republic. Clover Music , Warner. Descendants of Cain. Here and Now. Lemon Tree Records, Sony Australia. Chris Brown and Young Thug. Just Cause Y'all Waited 2.

Good Intentions. Las que no iban a salir. The Book of Us: The Demon. Live for Live. Electric blues , funk , soul. Like a House on Fire. How I'm Feeling Now. Freebandz , Epic. Warner Music Australia. The Mosaic of Transformation. The End of Everything. Gothic metal , death-doom. Set My Heart on Fire Immediately. A Steady Drip, Drip, Drip. Live at the Forum. Alternative folk , experimental pop. The London Sessions. New York at Night. The Dream Chapter: Eternity.

Big Hit , Republic , Dreamus. No Dream. Notes on a Conditional Form. Dirty Hit , Polydor. The Airborne Toxic Event. YSL , The Phantom Entertainment, Empire. Curse of the Crystal Coconut.

Latin trap , reggaeton. Future Teenage Cave Artists. Country pop , EDM , trap. Freddie Gibbs and The Alchemist. Life on the Flip Side. Wild World. Golden Hour. Interscope , Streamline Records. Quality Control , Capitol. Everything Changes in the End. Now, More Than Ever. Rolling Blackouts Coastal Fever. Sideways to New Italy. The Godfather III.

Parkwood , Columbia. Internet Money , Caroline. Alternative rock , industrial , ballad. Download as PDF Printable version. Lee Dorrian in Wacken. Doom metal stoner metal. With the Dead Love from With the Dead Sunday Post. Financial Times. Keighley News. Retrieved 17 June The Sunday Times.

Ferdinand and Isabella incorporated a number of independent Spanish dominions into their On October 18, , the U. The Alaska purchase comprised , square miles, about twice the size of Texas, and was championed by William Henry Sign up now to learn about This Day in History straight from your inbox. On October 18, , in the sixth game of the World Series against the Los Angeles Dodgers, New York Yankees outfielder Reggie Jackson hits three home runs in a row off of three consecutive pitches from three different pitchers.

Only the great Babe Ruth had ever hit three homers The show was considered groundbreaking for its realistic portrayal of a working-class family and the issues they faced.

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8 Replies to “Treat Me Like An Animal - Dead Nation - Dead End (CD, Album)”

  1. View credits, reviews, tracks and shop for the CD release of Dead End on Discogs. Label: Dead Alive Records - DXA,Slaughterhouse Records (3) - SHR • Format: CD Album • Country: US • Genre: Rock • Style: Hardcore, Punk/5(3).
  2. View credits, reviews, tracks and shop for the Yellow Vinyl release of Dead End on Discogs. Label: Dead Alive Records - DXA,Slaughterhouse Records (3) - SHR • Format: Vinyl LP Yellow • Country: US • Genre: Rock • Style: Hardcore, Punk/5(2).
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